Showing posts with label Southwestern and Mexican Photography Series. Show all posts
Showing posts with label Southwestern and Mexican Photography Series. Show all posts

Sunday, November 27, 2011

San Antonio Express-News :: From Uncertain to Blue, Timeless Mexico

From Uncertain to Blue
by Keith Carter
Buy It Now
Timeless Mexico
by Susan Toomey Frost
Buy It Now
Picture books hook the eye
Coffee-table tomes offer wonderment, hilarity, insight.
By Steve Bennett

Betting money says the advancement of the Kindle and the iPad spells the death of the printed book. That could well be. Even though an iPad can link a paragraph on why a cheetah has spots to a video of a cheetah taking down a gazelle, it can't do what a coffee-table book does, which is announce to visitors to your fine home that you are a civilized human being, and that this — your living room — is a center of culture. (Perhaps it says something about your personal economy as well.)

Like a coffee table, you have to get out the Pledge and an old T-shirt and dust off the coffee table book every month or so. Sometimes, you'll find yourself lingering, returning to those paintings by Picasso or those photos of the Beatles.
Even though bookstores are failing, there is still room in the world for the big, bold, beautiful coffee-table book.

Here are a few recent editions that are worth their heft.

Photographer Keith Carter is a Texas treasure. He shows us what life is like — in black and white. In 1986, Carter and wife Pat eschewed an exotic vacation to Morocco and bought a three-dollar Texas map. They circled small towns with names like Diddy Waw Diddy and Noodle, then drove to these dips in the road where Carter made one photograph for each town. The title of the photograph is the name of the burg, although Carter didn't get cutesy and try to make visual poetry out of Poetry — “which,” he says, “was mostly goat ranchers.” The project became his first book. Twenty five years later, Carter has “re-envisioned” “From Uncertain to Blue” (University of Texas Press, $55), with a new essay and an introduction by Horton Foote, into a chronicle of the state and its people that is timeless and universal.

For decades, we saw the world through the lenses of Life magazine's photographers, whether it was the summit of Mount Everest or Marilyn Monroe in a party dress. “Life 75 Years: The Very Best of Life” (Time Home Entertainment, $36.95) captures the moments that have shaped our lives for generations — Robert Capa's “Falling Soldier” from the Spanish Civil War, the Mercury astronauts — in a big (13-by-16-inch) book that lets the images speak for themselves. It also features a keepsake reproduction of the first issue of Life, ads and all, from Nov. 23, 1936. Cover price: 10 cents.

On the family tree of Mexican photography hang the names of master such as Garduño, Bravo (both Manuel and Lola) and Iturbide, not to mention foreigners such as Strand and Weston. At the base of that tree stands Huge Brehme. As San Antonio collector and writer Susan Toomey Frost points out in her gorgeous new book “Timeless Mexico: The Photographs of Hugo Brehme” (UT Press, $55): “Hugo Brehme mentored Manuel Álvarez Bravo in mastering composition and darkroom discipline. His strict training with Brehme served as a springboard for Álvarez Bravo's future work.” Which not only included becoming “the Mexican master of dreams, death and symbolism” but teaching a succession of subsequent great lens men and women. Brehme emigrated to Mexico from Germany just before the revolution exploded and ran his tight-ship studio, producing portraits and postcards, for 50 years, forging a singular vision of a country he came to call home.

Harvard scholar Henry Louis Gates Jr. traces African American history from 16th century slavery through Jim Crow and the Great Migration to the election of Barack Obama in the sumptuously illustrated “Life Upon These Shores” (Knopf, $50). One critic has called the book “a tour de force of the historical imagination.”

Read more at mysanantonio.com »

Thursday, July 28, 2011

Mitchell A. Wilder Awards honors Painted Light

Painted Light
by Kate Breakey
Wittliff Collections honored with 2011 Mitchell A. Wilder Awards
Posted by Jayme Blaschke, University News Service

The Wittliff Collections at Texas State University-San Marcos has been honored by the 32nd annual Mitchell A. Wilder Publication Design Awards Competition, sweeping five awards in all five categories.

The awards are presented by the Texas Association of Museums (TAM). Created to recognize achievement in graphic design and media production and to encourage quality in public presentations, the Wilder Design Competition drew 40 entries from museums of all sizes, regions, and disciplines throughout the state of Texas.

“The Wilder Awards Competition draws the very best examples of graphic design from museums throughout Texas. I am pleased to see that award winners represent museums of many different kinds, both large and small,” said Ruth Ann Rugg, executive director of TAM. “The quality of this year’s field is excellent and I look forward to putting them on view at the TAM Annual Meeting for the membership to see.”

Museums must be institutional members of TAM to enter the competition. Entries are limited to one per category. The five categories include: Invitations and Development Campaign Materials; Newsletters, Brochures and Announcements; Books and Catalogs; Marketing Materials, Supplementary Materials and Posters; and Non-Print Media. Entries must be produced or commissioned by the museum and must relate directly to the museum’s program. Wittliff Collections awards include:

  • Book Category: Painted Light- Gold Award (Painted Light by Kate Breakey, designed by Ellen McKie of UT Press, Bill Wittliff, and Kate Breakey, was published October 2010 in the Wittliff’s Southwestern & Mexican Photography Book Series) 
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Wednesday, June 8, 2011

Huffington Post :: Painted Light

Painted Light
by Kate Breakey
Amazing Illustrated Art Books And Their Brilliant Publishers (PHOTOS)
by Lena Tabori

Excerpt: "I immediately ordered Painted Light."

At Book Expo America, I was thinking deeply about the role of publishers as I walked the show looking for the new great visual books--gift books, photography books, cookbooks, art books, maybe even a children's book. What is a great publisher and why does America have so few of them in my field? I have been publishing visual books all my life (at Abrams, Stewart, Tabori & Chang and for the last years, Welcome Books). Book Expo is one of the few places you can see books organized by publisher. That is a rare window on a publisher's passion. This is what I found.

It was immediately clear that while certain authors, photographers and artists are truly stars, some publishers have a vision and a passion as strong as any creator. Sometimes, you can recognize their books a mile away - Workman (named for founder and owner Peter Workman), for example. Workman has grown to be the largest privately held American publishing house. One of the ways you observe Peter's genius is in his addition of imprints, each with its own powerful and distinct publisher: for example, Ann Bramson at Artisan, Elisabeth Scharlatt at Algonquin, J.P. Leventhal at Black Dog & Leventhal. In that creatively charged environment, I immediately saw two visual books that will be contenders this fall: The Louvre: All the Paintings (Black Dog, $75, almost 3,000 paintings, in full color, 784 pages, slip cased, plus DVD) and Barbara Kafka's The Intolerant Gourmet: Glorious Food Without Gluten & Lactose (Artisan, $29.95). Winner of the James Beard Foundation's Lifetime Achievement Award in 2007, Kafka is simply a walking encyclopedia. Hands down, every family with a child suffering from gluten or lactose intolerance will conclude that a delicious Kafka solution is their solution.

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Friday, May 20, 2011

Art Knowledge News :: The Edge of Time

The Edge of Time
Mariana Yampolsky
Buy It Now
San Marcos, TX

"The Edge of Time: Photographs of Mexico by Mariana Yampolsky" marks the beginning of the Wittliff Collections twenty-fifth anniversary exhibition schedule at Texas State University-San Marcos. This show featuring works from the permanent holdings runs from May 16th through December 11th, with other celebratory exhibitions to be added in August. "The Edge of Time" exhibition honors Mariana Yampolsky’s role in the Wittliff Collections’ history with nearly 60 silver-gelatin photographs of Mexico she created during the 30-year span of 1964 to 1994. “Reflecting moments,” as she said, “in the lives of people that others perhaps don’t see or don’t value,”

Yampolsky’s images capture rural Mexico with infinite respect and care, the situations, traditions, customs, and rituals of those who live there, and the weight of religion and the creativity in daily life. "The Edge of Time: Photographs of Mexico" was originally organized by the Wittliff Collections in 1996 and toured with Exhibits USA from 1996 through 1999. It is also the title of the second volume, published in 1998, in the Wittliff’s award-winning book series with the University of Texas Press. Still in print, it is available for purchase through the Wittliff’s online gift shop. Read more »