By our Marketing, Sales, and Copyediting Fellow David Juarez
In the early hours of June 28, 1969, a police raid on the Stonewall Inn, a well-known gay bar in Greenwich Village, sparked a violent riot between LGBTQ citizens and the New York police. This event became a significant milestone in LGBTQ history and the catalyst for gay and lesbian liberation movements across the nation. Since then, June has come to represent Pride Month in the United States, a celebration of LGBTQ identity and a commemoration of LGBTQ history, figures, and achievements.
LGBTQ identity transcends national boundaries, of course, and this post highlights some of the amazing scholarship from UT Press related to LGBTQ representation, identity, and politics across the globe. These books offer different perspectives on how LGBTQ identities intersect with racial, ethnic, and cultural differences, how we read media, how media reads us, and how great scholarship challenges us to understand the people and the world around us.
LGBTQ identity transcends national boundaries, of course, and this post highlights some of the amazing scholarship from UT Press related to LGBTQ representation, identity, and politics across the globe. These books offer different perspectives on how LGBTQ identities intersect with racial, ethnic, and cultural differences, how we read media, how media reads us, and how great scholarship challenges us to understand the people and the world around us.
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Queer Brown Voices: Personal Narratives of Latina/o LGBT Activism by Uriel Quesada, Letitia Gomez, and Salvador Vidal-Ortiz (2015)

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Queer Beirut by Sofian Merabet (2014)
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The New Gay for Pay: The Sexual Politics of American Television Production by Julia Himberg (2017)
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Queer Bergman: Sexuality, Gender, and the European Art Cinema by Daniel Humphrey (2013)
One of the twentieth century’s most important filmmakers—indeed one of its most important and influential artists—Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker’s numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur’s body of work; indeed, they have barely been noted. Queer Bergman makes a bold and convincing argument that Ingmar Bergman’s work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman’s own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director’s radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work’s trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post–World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others.
Here are other titles that might also be of interest:
- New Maricon Cinema: Outing Latin American Film (2016) by Vinodh Venkatesh
- Queer Issues in Contemporary Latin American Cinema (2003) by David William Foster
- Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin (2013) by David Greven
- What Makes a Man?: Sex Talk in Beirut and Berlin (2015) by Rashid Al-Daif and Joachim Helfer, translated by Ken Seigneurie and Gary Schmidt
- Derek Jarman and Lyric Film: The Mirror and the Sea (2004) by Steven Dillon
- Wicked Cinema: Sex and Religion on Screen (2014) by Daniel Cutrara
- Argentine, Mexican, and Guatemalan Photography: Feminist, Queer, and Post-Masculinist Perspectives (2014) by David William Foster
David Juarez in his element, surrounded by books. |
Marketing and Copyediting Fellow David Juarez has accepted a position as editorial assistant at the University of Notre Dame Press in South Bend, Indiana. David has been a key contributor to the University of Texas Press copyediting and marketing departments during his fellowship. We have appreciated his insightful contributions, his delightful sense of humor, and his willingness to discuss all things Marvel Universe with Senior Editor Jim Burr. Congratulations and let's wish David continued success in scholarly publishing!
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