"If you look upriver as you cross the Pecos River bridge heading west toward the historic town of Langtry, Texas, you will see nestled high on the canyon wall a small, shallow cave. Near dusk on a winter’s day the sun fills this rockshelter with light, illuminating the images painted thousands of years ago in red, yellow, black, and white. Those of us who know the paintings are there wave a
greeting as we pass. Hundreds of thousands of people, however, cross the bridge and never know they are within a stone’s throw of perhaps the oldest known “book” in North America: the rock art mural in White Shaman Shelter."
—From the Introduction to Carolyn Boyd's The White Shaman Mural.The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River.
In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time—making it possibly the oldest pictorial creation narrative in North America. We asked Carolyn Boyd about her fascinating work and how we can appreciate the White Shaman mural and the region's history.
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View of the Pecos River and White Shaman Shelter from across the canyon. Photo by Rupestrian Cyberservices. Courtesy of Shumla Archaeological Research and Education Center. |
What is the significance of the White Shaman mural?
The White Shaman mural is perhaps the oldest known “book” in North America. It is a visual narrative exquisitely detailing a very ancient and enduring story of creation – the story of how the sun was born and time began. The narrative was painted by nomadic foragers at least 2,000 years ago on the limestone wall within a small rockshelter overlooking the Pecos River. It documents a story that was passed down to later generations of Uto-Aztecan speaking people, such as the ancient Nahua (Aztec). It is a story still told today by other Uto-Aztecan speaking peoples, such as the Huichol of Mexico.
The mural works on multiple levels of interpretation. Not only does it communicate an ancient creation narrative, it also metaphorically represents the heavens as viewed by people living in the Lower Pecos during the Late Archaic. The imagery relates the sun’s daily cycle and the apparent path of the sun along the ecliptic throughout the year. It documents the changing seasons and the beginning and ending of ages. Beyond its portrayal of real-world cosmological events and cycles of nature, the mural also articulates the ongoing transformations of every person throughout the course of their lives.