Showing posts with label Aperture Foundation. Show all posts
Showing posts with label Aperture Foundation. Show all posts

Thursday, December 13, 2018

2018 in Book Awards and Distinctions

As we look back on 2018, we will be sharing our proudest moments here at the University of Texas Press. As a testament to the high-quality scholarship our authors have produced and the heroic efforts by our editorial staff, we are pleased to highlight the books, below, that have earned awards or distinctions in 2018.

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Archaeology


Tom Dillehay’s Where the Land Meets the Sea: Fourteen Millennia of Human History at Huaca Prieta, Peru

2018 Society for American Archaeology's Book Award 

"This volume is a foundational landmark, and can be used to teach students both at undergraduate and graduate levels to provide guidance for how to conduct and publish future archaeological research."

Antiquity


American Studies

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Stacy I. Morgan's Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s America

2018 Wayland D. Hand Prize (co-winner) 

“I am extremely impressed by this book. I think it will be a valuable addition to African American studies, American studies, cultural studies, and popular culture studies.”



James Smethurst, University of Massachusetts Amherst, author of The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance

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Music

Holly Gleason’s Woman Walk the Line: How the Women in Country Music Changed Our Lives

2018 Belmont Award for the Best Book on Country Music 

“Woman Walk the Line radiates heartfelt sincerity, revealing how women in country music—world-famous and little-known, black and white, vintage and contemporary—helped shape the lives of many different kinds of women. It’s concrete evidence that country should and does belong just as much to women as to men.”


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—Ann Powers, author of Good Booty

Photography

Dawoud Bey's Dawoud Bey: Seeing Deeply

Paris PhotoAperture Foundation PhotoBook Awards Shortlist 

"Photographs from all of Bey’s major projects are presented in chronological sequence, allowing viewers to see how the collective body of portraits and recent landscapes create an unparalleled historical representation of various communities in the United States."

Photo-eye Blog


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Classics and Ancient World

2018 AAP Prose Awards, Classics Category

"Hunt, Smith, and Stok have produced a valuable and useful book…Especially as Classics continues to be a source of interest and even contention in the public eye, the history of the field should remain of vital interest to students…The present volume offers a rich and engaging starting point."

New England Classical Journal

Middle Eastern Studies

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Ahmed Naji’s Using LifeIllustrations by Ayman Al Zorkany, translated by Benjamin Koerber

2018 Neukom Institute Literary Arts Awards Shortlist 

Using Life is a riotous novel about a failing state, a corrupt city, a hypocritical authority, but it is also about tequila shots and getting laid and smoking weed with your infuriating girlfriend and debating whether rock music died in the seventies and if Quentin Tarantino is a genius or a fraud. It’s a young man’s book. A young man whose youth is colliding with a dark moment in history.”

—Zadie Smith, The New York Review of Books

2018 Khayrallah Prize in Migration Studies 

“A groundbreaking work that presents the social configuration of Arabic-speaking migrants and their descendants in a new and revelatory light. This study stands to be an excellent example of a global, connected colonial approach to migration and nationalism. It reconfigures Latin American and Middle Eastern studies in a sound and compelling way, highlighting the ways in which Mexico and the Levant participate in, and interact with, the same structures of power.”

Christina Civantos, University of Miami, author of Between Argentines and Arabs: Argentine Orientalism, Arab Immigrants, and the Writing of Identity

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Film, Media & Popular Culture

Linda Mizejewski and Victoria Sturtevant’s Hysterical! Women in American Comedy

2018 Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA) 

"Here to meet all your funny female deep-read needs . . . a juicy read for those who love the many ways female comics use their art to question the patriarchy."



—BUST

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Mark Heimermann and Brittany Tullis’s Picturing Childhood: Youth in Transnational Comics

2018 Best Academic/Scholarly work, Will Eisner Comic Industry Awards Shortlist 

Picturing Childhood is a much needed and long-awaited interdisciplinary project that looks at representations of children throughout the history of comics.”

Studies in Twentieth and Twenty-first Century Literature

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Jennifer Fronc's Monitoring the Movies: The Fight over Film Censorship in Early Twentieth-Century Urban America

2017 Richard Wall Memorial Award finalist (Theatre Library Association)

“Not unlike Facebook, the nascent movie industry resisted regulation; it fought back with self-imposed guidelines aided by the rhetoric of civil libertarians. . . . Fronc has written an engaging and balanced account of questions whose debating points remain relevant today.”

Shepherd Express
 

2018 AAP Prose Awards, Biological Anthropology, Ancient History & Archaeology category 
2018 Mr. and Mrs. Raymond J. Horowitz Book Prize
2017 MLA Katherine Singer Kovacs Prize, Honorable Mention

“This volume goes a long way toward explaining and interpreting Inca khipus as encoded political, social, ritual, and economic structures, and as such, is essential reading not only for all Peruvianists and students of ancient civilizations but also, because of the book's code-breaking arguments related to binary coding, hierarchy, and markedness, for scholars in those areas as well.”

Choice

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2018 Annual Association for Latin American Art/Arvey Foundation Margaret Arvey Book Award 

“Deeply researched and passionately argued, this book is a model for effective transnational scholarship. Much like her protagonists, Montgomery is a visionary.”

—Tatiana Flores, Rutgers University, author of Mexico’s Revolutionary Avant-Gardes: From Estridentismo to ¡30-30!

2018 LASA Mexico Humanities Book Award 

“A rich history of how race was conceptualized and materially inscribed in colonial Mexico—and a pleasure to read. The book’s contributions are manifold, and it will be in conversation with other books in the field, while expanding the discussions with which the colonial period can engage.”


—Ivonne del Valle, University of California, Berkeley

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Amy Sara Carroll’s REMEX: Toward and Art History of the NAFTA Era 

2018 LASA Mexico Humanities Book Award, Honorable Mention
2017 MLA Katherine Singer Kovacs Prize, Honorable Mention


“Incredibly smart, well-articulated, and very much needed. REMEX is not only an important contribution to the fields of Mexican and border visual cultural and performance studies, but it is the book that will move the conversations in the fields in new and provocative ways. It is the book many of us have been waiting for.”

Laura G. Gutiérrez, University of Texas at Austin, author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage

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John Lear’s Picturing the Proletariat: Artists and Labor in Revolutionary Mexico 19081940

2018 LASA Mexico Humanities Book Award, Honorable Mention

“This superb study intertwines a history of artistic representations of Mexican workers on public walls and in labor publications with that of the artists who produced them. I know of no other work that attempts such an endeavor and, though it is an ambitious project, it is most successful. The wide swath cut by Lear makes the book important for a broad audience: those interested in the history of Mexico, the history of Mexican labor, and the history of Mexican art. The scholarship is impeccable.”

John Mraz, Universidad Autónoma de Puebla, author of Photographing the Mexican Revolution: Commitments, Testimonies, Icons


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Mariana Mora’s Kuxlejal Politics: Indigenous Autonomy, Race, and Decolonizing Research in Zapatista Communities

2018 LASA Mexico Social Science Book Award, Honorable Mention

Kuxlejal Politics is a most eloquent testimony to the dynamic Zapatista struggle and to what an engaged academy can do when it genuinely walks along the paths of subaltern groups intent on defending their worlds. By theorizing and embodying a farsighted vision of decolonized and decolonizing research, Mora renews our commitment to the idea that another academy is possible and practicable. This work is a gift to us all by one of the most inventive exponents of Mexican anthropology at present, in the best tradition of Latin American critical thought.”

Arturo Escobar, Professor of Anthropology, University of North Carolina at Chapel Hill

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Robert W. Wilcox’s Cattle in the Backlands: Mato Grosso and the Evolution of Ranching in the Brazilian Tropics

2018 Henry A. Wallace Award, The Agricultural History Society 


“This book fills a large hole in historical scholarship. English-language treatments of ranching history anywhere in Brazil are few and far between. It also makes a strong case for the importance of linking agro-pastoral studies to environmental specificity and to careful consideration of labor practices.”

Thomas D. Rogers, Emory University, author of the award-winning book The Deepest Wounds: A Labor and Environmental History of Sugar in Northeast Brazil

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Isabel M. Córdova’s Pushing in Silence: Modernizing Puerto Rico and the Medicalization of Childbirth

2018 NWSA Gloria E. Anzaldúa Book Prize 

“A brilliantly written, accessible, and comprehensive analysis of the multifaceted social, cultural, and historical conditions that led to the medicalization of birthing in Puerto Rico, which enabled doctors to replace midwives. This history has not been written before. The research is original and unique and is a contribution to the fields of sociology, anthropology, history, and biomedicine.”

Iris O. Lopez, City College of New York, author of Matters of Choice: Puerto Rican Women’s Struggle for Reproductive Freedom

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Patricia Acerbi’s Street Occupations: Urban Vending in Rio de Janeiro, 18501925

2017 Warren Dean Memorial Prize in Brazilian Studies, Conference on Latin American History 

“This book makes a huge contribution to our understanding of street life and commerce in Rio de Janeiro and to the transition from flexible slavery to radically unequal freedom. Acerbi’s research is extensive and groundbreaking.”

Bryan McCann, Georgetown University, author of Hard Times in the Marvelous City: From Dictatorship to Democracy in the Favelas of Rio de Janeiro

Wednesday, May 27, 2015

Remembering Photographer Mary Ellen Mark

A giant of the photography world has passedWe were fortunate enough to have worked with Mary Ellen Mark and the Wittliff Collections on a book of her photographs from India and Mexico, Man and Beast. She had such kind words to say about her experience publishing with us that we feel as if we've lost a loyal friend.

Mary Ellen Mark (1940-2015)
Image from Man and Beast

Here is fellow Magnum photographer Eli Reed (A Long Walk Home) on Mary Ellen Mark:
I heard of Mary Ellen Mark's passing late today with some shock and sadness. She was and is one of the foundations of true photojournalism in a time that needed her kind of important additions to what is needed to tell important stories with truth, beauty, and a healthy respect for her subjects. 
They were not just subjects. Many became friends that stayed in touch with her throughout her life. The dimming of her light is an extremely important loss at this time in photographic history. There are so many well meaning professionals and amateurs who have tried to copy the work of photographers that possibly inhabit the same space that she lived in and the well meaning failed for the most part. 
One needed to have the same kind of faith in your own original vision that Mary Ellen Mark displayed time after time. It seems too many photographers did not get that very important memo. Particularly the part of that memo that tells you to get ready for failure so that when victory comesit will be as sweet as a Georgia peach. 
Mary Ellen could have been a very tough US Marine if she had somehow and for some reason thought to go in that direction but fortunately for the rest of usshe chose the path of being as gentle as the sweetest kiss from a Summer's sweet breeze celebrating the coming of a sultry night. 
Mary Ellen Mark was a magnificent human being who gave, through the work she produced, much more then she received and I mourn her passing. She was a special kind of a living day and night that brings to the front very beautiful mornings. Sweets dreams to her is a good thing.

Read Mary Ellen in conversation with Melissa Harris, editor-in-chief of Aperture Foundation, and Martin Bell, Mark's husband, former politician, and British UNICEF Ambassador, in this excerpt from Man and Beast.


Friday, April 18, 2014

Mary Ellen Mark on Man and Beast

"I wish that the nature of Man were better."Mary Ellen Mark. 

This excerpt from Man and Beast: Photographs from Mexico and India features Mary Ellen Mark in conversation with Melissa Harris, editor-in-chief of Aperture Foundation, and Martin Bell, Mark's husband, former politician, and British UNICEF Ambassador. Mary Ellen Mark discusses her interest in photographing animals, her experiences creating the powerful images in her new book, the differences between 'Man' and 'Beast,' and how beasts can teach us to be better as humans.

Melissa Harris opens Man and Beast with this revealing insight into the internationally acclaimed photographer's personal philosophy behind her images of man and beast. View spreads from the book here, and buy the book for the full interview. 

Join us at The Wittliff Collections on Sunday, April 27, at 2pm for an exhibition reception, artist talk, and book signing with Mary Ellen Mark in attendance. Find out more about the event here.

MEM and Beast 

In December 2002 I found myself walking across Washington Square Park with my then-one-year-old Lhasa Apso, Ella, who was (reluctantly) wearing a fuzzy, bubblegum-pink boa—part of a ballerina outfit for children (although Ella would have no part of the tutu—just too demeaning, given her roots as a Tibetan palace guard dog). It was during that walk that I began to fully comprehend Mary Ellen Mark’s kooky, intense, and committed love affair with dogs. Ella and I were headed to Mary Ellen’s annual “Doggy Christmas Party.” Fifty to sixty dogs of friends and colleagues poured into her SoHo studio, both to attend the bash and to have their portraits taken. Sometimes at the party there are themes or props or backdrops or characters (an unfortunate soul dressed as the Statue of Liberty, for example, who posed with the dubious dogs)—but this year it was more or less simply about “festive attire,” hence the boa. I placed Ella on the platform for the shoot, whispering sweet “Sits” in her ear, until the time came for me to sidle away, as Mary Ellen prepared to photograph her. But Mary Ellen was not yet convinced by the composition, so she called to Ella to move “stage right” and “upstage,” along with other, non-doggy directions. Just an instant before Ella, overwhelmed, bolted decisively with cheetah-like agility, Mary Ellen made the portrait, which perfectly captures Ella’s funny imperiousness.

Mary Ellen becomes deeply invested in many of her subjects—sometimes knowing and photographing them over the course of many years, as she did with Erin Charles (a.k.a. Tiny, of the 1980s project Streetwise), and with the Damms, a homeless family that Mary Ellen photographed many times. There is often a performative or interactive element to the photographs, whether they are of twins, prom-goers, or street children, whether she is on the streets of Oaxaca, Mexico, where she teaches workshops each year, or at a horse farm in Connecticut or a circus in Calcutta, or photographing dogs—pretty much everywhere.

Mary Ellen’s sense of dogs’ unconditional love is matched only by her belief that beasts are, unlike man, rarely if ever gratuitously cruel. This understanding infuses Mary Ellen’s images with an unsentimental poignancy and a fully intentional anthropomorphism that, while sometimes ironic and other times unsettling, always render photographs that are remarkably engaging and winning.

— Melissa Harris, New York City, January 2013 



Mary Ellen Mark: I like animals you can relate to. And it’s interesting to observe them in their roles with people.

One of the things that fascinates me most about the circus is the relationship between the performers and the trained animals—how they depend on each other for life and for work. I know the animal-rights people are going to hate this, and I understand there is a concern about how circus animals are treated, but I myself didn’t see abuse—with only one exception. The animal trainers need the animals to survive, so they must treat them extremely well to make sure they are happy and in good health, and often there is a bond between them.